• Standard - adjusts from 45" – 54"
• Long - adjusts from 54" – 63" Requires a Jumbo Tongue (sold separately).
All Anthology guitar and bass straps are hand-made with the absolute finest quality full-grain leathers in the world. Our leathers are chosen for their ability to fully distribute the weight of the guitar across the strap, for a more comfortable playing experience on those long gigs.
Our straps are not only great looking; they're also super-comfortable. Between a top layer of rugged full-grain leather, and a bottom layer of ultra-soft full-grain leather, we use a high-density, premium padding, to maximize comfort without sacrificing strength.
Even better, we use only the strongest industrial grade threads, the same threads used to make parachutes and airbags. That's strength you can trust.
To top it off, our leather burnishes and beautifies with use. All of our straps have their natural marks, scrapes and scars, which means they have loads of raw, rugged personality.
If the available Standard length of this strap is not long enough, we offer Jumbo Tongues, which can be purchased separately, and will extend the length of the strap by 9".
If you If you’re buying as a gift and don’t have access to measure the current strap, or you just can’t wait until you get home to take the measurement, there are several factors to consider:
The main functional issue with respect to buying a guitar strap online is getting the length right. Our straps are measured from attachment hole to hole. The best way to determine your ideal length, or that of the musician you’re buying for, is to measure the previous strap. If you don’t have a strap to reference for whatever reason, we’ve assembled some general guidelines for length (supplemented with this friendly disclaimer: worry not if you still end up too long or short; we’re happy to facilitate an exchange for the right length).
Elements to consider:
1. Player height and weight:
• In general, players who are 6’ and under, and average weight, should be fine with a standard length strap.
• Players over 6’, or with more weight, could use a long strap.
2. Electric or acoustic:
• Because acoustic guitar bodies are deeper, guitar players 5’10” and over will likely prefer the long strap length.
3. Placement of attachment pegs:
• The strap attachment peg on the guitar can be in a couple of places. On some guitars the peg is at the top of the bout; on others, it’s placed where the guitar neck meets the body of the guitar. In the case of the latter, a few more inches will be needed, and a long strap might be the way to go.
4. How low or high the player holds their guitar:
• If the player is a gun-slinger, with the guitar down to his knees, an extra long strap might be needed.
• If the player is a rocker, with their guitar a bit below the waist, a long strap might be the way to go.
• If the player holds the guitar from the waist up, our standard length strap should do the trick.
But most importantly: do not panic. We realize there are many variables involved and we’re happy to talk them all through with you at (816) 744-8984. If we can’t pick up right away, please leave a message and we’ll be back to you as soon as possible.
None asked for, none expected, and none given — neither to myself nor anyone else.
Compromise may be unavoidable in life, but if you don’t dodge it at all costs in your music, enjoy the slippery slope to sucktown. Even if you find “suckcess” there, will the money paper over the shame of knowing you’re just another party clown for kids? I don’t think so, no matter how many clueless bedwetters you cram into a stadium or into your oh-so-“edgy” Kmart clothing line.
To me, it’s total commitment or stay home. How do I know when I’m warmed up? When the bloody calluses on my fingertips split open. I just seal 'em back up and keep on playing. (Hey, there’s a reason they call it Crazy Glue, not Well-Adjusted Glue. Trick-of-the-trade tip for you, compliments of the chef.)
Uncompromising is just the ante. I don’t care if you play the triangle in a basement bingo parlor. If you’re not standing up to push the limits, sit down. Forgo the struggle and you loose the soul, the blues. You loose Billie Holiday’s voice, Hendrix’s swirling feedback landscapes, Stevie Ray Vaughn’s eardrum-inverting bends. Hey, dedicated suffering comes with the gig. So while you might think my urge to stuff Justin Bieber in a rusty steamer trunk and kick it down the Grand Canyon is cruel, I’m just hoping to help the kid's music a bit, if possible. He seems like a nice girl.
Me, I’m a natural born attack dog. Tone. Style. Every element of a player’s sonic fingerprint stems from their attack, and on the fretboard I become an aggravated swarm of angel dust-addled Maori warriors wielding broken baseball bats. Unrelenting. Unforgiving. My sound leaves a mark. Every time.
And leaving a mark is really the only distinguishing characteristic human beings possess, yet 99.98% never even try. People are born creative and then those instincts are schooled right out of them. They climb into the mold and let everything unique be sliced away. They conform. Well, the operative syllable there is con. I say don’t fall for it. Fight.
No struggle, no sustain. And whatever gets thrown at me for turning my back on the soul-embalming, inspiration-crippling black hole of the rat race I just absorb and spit back at the bastards with my playing.
No compromises. No quarter.