It’s about more than just substance over style.
To me, substance is style. And I need mine straight up. I want to see and feel the proverbial natural wood grain, not have those precious imperfections buried under some glossy varnish or slick paint job.
Sure, I can appreciate Phil Spector’s Wall of Sound, but too many misguided people have since taken those walls and built a prison around the essence of music with one big, overproduced, sterile Pro Tools assembly line.
In my book, lifeless digital perfection has become the greatest imperfection, with hype and all the sonic trends du jour just more planned obsolescence. The expiration dates keep coming faster and faster.
Hey, don’t get me wrong. I’m not trying to climb on a high horse or tell anyone else how to live. I’ll leave that gig to the marketing executives. But, for my money, it’s the paths away from all the frills and ringtones that are worth traveling. In what I put out and take in, I’m after timeless quality.
Give me core components. Give me raw analog purity. Give me roots music. Give me something that skilled, dedicated human hands labored over and real sweat poured down on, whether a well-crafted tune or a custom-made guitar. Give me Wilco. Give me Keith Richards — on his acoustic. Give me Frank Sinatra in a small room with one mic, warm acoustics, and a little cigarette smoke.
Style is what you can do with less anyway. Anyone can put on a $5000 Armani suit. But look at James Dean in jeans and a plain white t-shirt. If you want to hear straight up style, well, no one with a top-of-the-line Strat and all the effects pedals in the world has yet to surpass what some of the original blues players could transmit through a busted, homemade, out-of-tune guitar.
That’s why we’re still listening to their scratchy recordings and probably always will be — there’s soul in simplicity and enduring power in the authentic.
And newsflash: there’s no ham in Spam and no humanity in Auto-Tune, folks.
That’s why I close my eyes to the packaging, to all the gimmicks and hollow obsessions with appearances, and just tune into sublime unprocessed sounds ringing true.
Straight up — no chaser.
Width: 3" width
• Standard - adjusts from 45" - 54"
• Long - adjusts from 54" - 63" Requires a Jumbo Tongue (sold separately).
Top Leather: Tobacco (rugged full-grain leather; not quite as thick as our Aged Steel or Black Whiskey and a little softer)
Bottom Leather: Suede (compared to the soft full-grain leather on the back of our Whiskey and Aged Steel straps)
All Anthology guitar and bass straps are hand-made with the absolute finest quality full-grain leathers in the world. Our leathers are chosen for their ability to fully distribute the weight of the guitar across the strap, for a more comfortable playing experience on those long gigs.
Our straps are not only great looking; they're also super-comfortable. Between a top layer of rugged full-grain leather, and a bottom layer of ultra-soft suede, we use a high-density, premium padding, to maximize comfort without sacrificing strength. We give the guitarist the best of both worlds, a streamlined padded guitar strap. Comfortable and durable with style!
Even better, we use only the strongest industrial grade threads, the same threads used to make parachutes and airbags. That's strength you can trust.
To top it off, our leather burnishes and beautifies with use. All of our straps have their natural marks, scrapes and scars, which means they have loads of raw, rugged personality.
If you’re buying as a gift and don’t have access to measure the current strap, or you just can’t wait until you get home to take the measurement, there are several factors to consider:
The main functional issue with respect to buying a guitar strap online is getting the length right. Our straps are measured from attachment hole to hole. The best way to determine your ideal length, or that of the musician you’re buying for, is to measure the previous strap. If you don’t have a strap to reference for whatever reason, we’ve assembled some general guidelines for length (supplemented with this friendly disclaimer: worry not if you still end up too long or short; we’re happy to facilitate an exchange for the right length).
Elements to consider:
1. Player height and weight:
• In general, players who are 6’ and under, and average weight, should be fine with a standard length strap.
• Players over 6’, or with more weight, could use a long strap.
2. Electric or acoustic:
• Because acoustic guitar bodies are deeper, guitar players 5’10” and over will likely prefer the long strap length.
3. Placement of attachment pegs:
• The strap attachment peg on the guitar can be in a couple of places. On some guitars the peg is at the top of the bout; on others, it’s placed where the guitar neck meets the body of the guitar. In the case of the latter, a few more inches will be needed, and a long strap might be the way to go.
4. How low or high the player holds their guitar:
• If the player is a gun-slinger, with the guitar down to his knees, an extra long strap might be needed.
• If the player is a rocker, with their guitar a bit below the waist, a long strap might be the way to go.
• If the player holds the guitar from the waist up, our standard length strap should do the trick.