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“MAKI”
Watch a sushi chef make maki and you’ll notice how little fuss there is. A sheet of nori on a bamboo mat. A layer of rice, pressed thin with wet fingers. Then the fillings, laid in a neat row: a strip of tuna, some cucumber, a sliver of avocado, maybe something pickled for bite. One motion of the mat, a firm squeeze, and it’s done.
The trick is in the rolling. It’s knowing what goes in and keeping everything where it belongs. Too loose and it falls apart on the way to your mouth. Get it right and the knife reveals a clean cross-section: every ingredient in its place, each one distinct, all of them working together. Different flavors, one bite.
Maki just means “roll” in Japanese. It’s one of the oldest ways to carry a lot of good things in a small, honest package, and it hasn’t needed an upgrade since the late 18th century.
Which brings us to drummers. Nobody shows up to a gig with one pair of sticks. There are 5As for the loud set and 7As for the quiet one. Brushes for the ballad. Rods for when the sound guy gives you the look. Mallets for that one cymbal swell in the bridge. Different voices, one kit. They all need to come along, and they all need to stay put.
Maki is our roll-up stick bag, built on the same idea. Lay it flat and each set of sticks gets a pocket in soft black pigskin leather. A leather flap folds over the tips. A zip pocket holds the drum key, earplugs, and a folded setlist. Then roll it up, cinch the two buckle straps, and grab it by the handle or swing it over your shoulder. On the outside, full grain leather takes the knocks of the road and wears them well.
And it’s not just for sticks. Chefs have carried their knives this way for generations. Woodworkers roll up their chisels. Anyone with a set of tools they care about knows the feeling: everything secure in its place, nothing rattling around.
Lay it out. Fill it. Roll it.
Full-grain leather on the outside, soft pigskin on the inside, and a pocket for every pair. Maki holds your sticks, brushes, rods and mallets, then rolls up tight and buckles shut. Tie it to your floor tom at the gig, sling it over your shoulder on the way out. The leather will pick up scuffs on the road. That’s the point.
FEATURES
- Full-grain leather exterior that wears in, not out
- Lined with soft, strong pigskin leather to protect sticks and tips
- 8 pockets in two sizes, so sticks, brushes, rods and mallets each have a place
- Pigskin flap folds over the tops of your sticks to secure and protect them for carrying
- Internal zip pocket for a drum key, earplugs, a setlist, or spare parts
- Two buckle straps cinch the roll tight and keep everything secure
- Ties attach the bag to your kit for easy reach mid-set
- Removable, adjustable padded shoulder strap
- Leather carry handle
- Stitched with the same thread used to make parachutes and airbags
SPECIFICATIONS
- Unrolled: 29 1/2" W x 18 1/2"
- Weight Empty: Approx. 3 lbs
- Four (4) small pockets: 2" wide x 5 3/4" tall, for reference each holds two 5A sticks
- Four (4) large pockets: 4" wide x 8 3/4" tall, for reference each holds six 5A sticks
- Internal zip pocket: 16" x 5 1/2", with a 13 1/2" zipper opening
- Carry handle: 5 1/4" with a 1" drop
- Shoulder strap adjustable from 26" to 43"
- Exterior: Full-grain leather
- Lining and flap: Pigskin leather
Also works for: chef’s knives and woodworking chisels.
CARE
Wipe it with a dry, soft cloth. If it gets wet, let it air dry at room temperature. Keep it away from heaters, hair dryers and direct sun, which can stiffen or crack the leather. In general, less is more. But if the exterior leather starts to look dry, apply a leather conditioner.



